It was a beautiful day, like most in the afterlife. Weather phenomena was rare in the Soul Society without the flaring of spiritual pressure and zanpakuto abilities messing with the local atmosphere. With barely a cloud in the sky, only a gentle breeze blew at higher altitudes. There was stillness to the scene, picturesque, beautiful. A warmth came from the shining sun, which reflected off the pristine white buildings that composed the endless landscape of the Gotei Thirteen.
Atop one of these structures, a skyscraper of ivory, featureless but for the black rectangular windows that dotted its frame, sat a small patch of bright red, which stood out even as a dot across this massive white landscape. This small patch of red, but a blur in comparison to the scope of the structure it sat on, would be immediately recognizable as the wild mane of hair that belonged to one
Danjūrō Ichikawa. He sat cross-legged across the roof of the building, his large seven foot frame folded neatly as though in mediation. Across his lap lay his zanpakuto, a massive Ōdachi with an unremarkable brown sheath, its handle wrapped in white cloth, its tsuba a faded gold. His eyes remained closed, and though his features were calm, sweat dripped from his brow.
Danjūrō by all accounts appeared to be engaged in the act of
Jinzen (刃禅,
Blade Zen; Viz "
Sword Zen"). A form of meditation that allowed one to interact with their Zanpakuto spirit within the confines of their inner world. This was a laborious process of self reflection and discovery that any shinigami serious about their zanpakuto must endure, more often than not involving combat over conversation. To remain in this state took intense concentration, mental focus, and physical endurance. A feat made more impressive by the action that Danjūrō’s right hand took. Holding within it not his zanpakuto, but another tool reflecting the man’s mentality, a wooden paintbrush.
Though he sat, eyes closed, Danjūrō’s right arm moved on its own. The brush it held dipped into paints of white, blue and gold, to dabble across the canvas of a small painting, propped up by an easel on the roof in front of him. Though entranced in Jinzen, Danjūrō’s mind was split in two, subconsciously multitasking so as to create a vivid scene of the surrounding landscape. The time he had spent in this state, engaged in reflection with his relationship towards his inner world as well as the world around him, was measured not just by the sweat that soaked his Shihakushō, but by the two completed paintings that laid strewn about the ground, and the one work in progress resting upon the easel.
The first was a scene set at night, a war torn battlefield of utter destruction. The moon shone across a black sky, complimented by white rubble, the same material of the building Danjūrō sat on. Rising above this rubble was a dark and jagged landscape, the ominous loom of
Sōkyoku Hill (双殛の丘,
Sōkyoku no oka). Those that had lived through this time would recognize this as the aftermath of the Hollow Invasion, ten years ago. Not the act of the battle itself, but the grim work that followed, shifting through debris to find survivors, working through the night in hopes of saving even one additional life.
The second painting was at dawn, vibrant oranges, reds, and purples cascading across the canvas as a backdrop to a large multi-structured building, its roof tiles golden and shiny. Any shinigami would recognize this establishment as the
Shinōreijutsuin (真央霊術院,
Spiritual Arts Academy). Except, within this painting the building looked only slightly different than what stood on the horizon today. The great regality of the building was somewhat diminished, beams of exposed wood painted across its surface, while black dots of shinigami had been painted casting their kido and doing construction. With the theme of dawn, the painting pictured here represented rebirth, the repairing of an institution shaken.
The art that Danjūrō now worked on in his trance-like state reflected clearly the conditions of the current moment. Bright vibrant blue skies shown above a pristine landscape, depicting the newly rebuilt headquarters of the
Kidō Corps (鬼道衆,
Kidōshū). Both the picture painted and its reference, the building that stood proudly in the distance, were a far cry from the decimation experienced ten years ago. One would be hard pressed to know that this landscape was ever reduced to a lot of dirt. Standing tall now was a multistoried complex dotted with an entire compound of similar structures, the headquarters of one of the three branches of the Gotei Thirteen’s military. This painting represented a new era, that of a healed wound, one which has moved on from the trauma of the past.
With a final delicate touch, the brush placed the smallest of white dots upon the side of the building, capturing the reflection of sunlight off the building’s edge. With that, one of Danjūrō’s crystalline blue eyes cracks open, his brow furled, as he measures the worth of his work against the view before him.
“Hm.” He says with a grunt, sliding his left hand beneath his Shihakushō to inquisitively stroke the red hair of his beard. Dropping the paintbrush, he grabs the canvas crudely with his right hand and rises to his feet for the first time since the night before. His Zanpakuto clatters to the ground, falling into a pool of sweat that stains the white stone of the rooftop. Holding the painting out, he turns it side to side, following it by turning his head as his one eye focuses on it in the foreground then the Kidō Corps in the background.
“Perfect!” He shouts, his voice echoing through the sky, eyes closed, a smile on his face, as he throws his arms back triumphantly, hands balled into fists, chest bursting into the air. A cry of victory like one after a hard fought battle, the painting in his hand a trophy of war. Yet he does not have time to bask in the warmth of the moment nor the warmth of the sun. A shadow forms over him, causing him to open both eyes once more in curiosity.
“Eh? A cloud?” He ponders, squinting into the sky. To Danjūrō’s surprise, what eclipsed the sun was nothing natural at all, but rather a fluttering flock of paper pamphlets, seemingly coming from nowhere. The Shinigami’s smile completely inverts, a frown so drastic it nearly falls from his face. The picturesque scene of stillness, purity, and prosperity that he had just spent so many hours painting had completely been obscured by this clutter, this paper litter that scattered itself across the scenery!
One such pamphlet risked falling directly onto the wet canvas in Danjūrō’s hand. He let out a gasp of surprise and worry, before hopping from one foot to the other, swinging the canvas like a fan while blowing air from his mouth repeatedly to shoo the pamphlet away. It continued to flutter around him threateningly, like a bird swooping at its target, until Danjūrō finally had enough and swiped it from the air with his free hand.
Curious, he looked down at its contents with a cocked red eyebrow.
“A party huh? Today of all days? And to deliver it in such a manner…”
Danjūrō could not help but scoff. Celebrations and festivities were literally part of his job description. In fact, there might be no other Shinigami in the Gotei Thirteen so well equipped to call themselves a party specialist. He had considered, for a time, hosting a festival today at the Kidō Corps compound. However, ultimately, Danjūrō had to decide today was one meant for quiet contemplation and gratitude. It had been ten years since tragedy had struck the Soul Society, since the foundation of the Gotei Thirteen had been completely rocked. Ten years of recovery, of peace, and now was the time to reflect on what was, what is, and what could be.
Still, everyone celebrates in their own way. It wasn’t the dinner itself that was disrespectful, coming together for a meal on the anniversary of tragedy was a fantastic way to bond as a community. To scatter the pamphlets in this way though, like dispersing war time propaganda, as though reenacting an attack, was only a reminder that the uncertain could happen at any moment. Then there was the subject matter itself, a clear second intention, as though daring recipients to come rather than welcoming them. Danjūrō always loved good theatrics, but this whole thing was but thinly veiled threat.
Done with his activity, Danjūrō reached down to grab his Zanpakuto and tuck it into his belt. Taking his painting, he placed them in a compartment in his easel, then folded the easel and slung it over his shoulder. With a sigh, he then began to bend down and pick up each pamphlet off the roof of the building, tucking them under his arm. Suddenly, a gust of wind blew, and Danjūrō was gone, the aftermath of a flash step. From the ground, the red dot of his hair could now be seen on an adjacent building, before disappearing and reforming on the roof of another. After a few moments of this, the form of the large Shinigami manifested from thin air not on the roof, but on the level of the street. Under his arm the pamphlets had multiplied, forming quite the bundle. Still, his unpleasant expression did not change, and despite the different elevation, he continued his work. Walking down the massive streets, he moved from pamphlet to pamphlet, meticulously picking up the litter off the ground. His work it seemed, was now cut out for him for the day. As just this small section of skyscrapers composed the length of an entire human city, such was the size of the Seireitei. As the Eighth Division’s Festivities Coordinator, Danjūrō knew better than most, that where there is a party, there is also the act of cleaning up.